Getting It Straight in Notting Hill Gate

Getting It Straight in Notting Hill Gate from Tom Vague is a 2020s sequel to Notting Hill in Bygone Days by Florence Gladstone (1924).

An historical and psychogeographical report on Notting Hill considered in its economic, political, sexual and intellectual aspects and a modest proposal for its remedy.

Foreword

Future chapters

4 Noting Barons – early 20th century

5 Rotting Hill – 1940s

6 In the Ghetto – early 1950s

7 The Clash – 1958

8 It Happened Here – 1959

9 Rachmania – early 1960s

10 Dancing in the Street – 1966/67

11 Open the Squares – 1968/69

12 One Foot in the Grove – 1970/71

13 Underground Overground – 1972-76

14 The Sound of the Westway – 1976/77

15 State of Independents – 1978/79

16 Notting Hill Babylon – early 1980s

17 Subterania – late 1980s

18 All the Sinners Saints – 1990s

19 Interstellar Overdrive – 2000-10

20 Ghosts of Ladbroke Grove – 2010-20

21 Nothing ill – 2020s

‘Enter a lunatic: The King of the Fairies, who was, it is presumed, the godfather of King Auberon, must have been very favourable on this particular day to his fantastic godchild, for with the entrance of the guard of the Provost of Notting Hill there was a certain more or less inexplicable addition to his delight… these Notting Hill halberdiers in their red tunics belted with gold had the air rather of an absurd gravity. They seemed, so to speak, to be taking part in the joke… They carried a yellow banner with a great red lion named by the king as the Notting Hill emblem, after a small public-house in the neighbourhood, which he once frequented… King Auberon dropped the hand and stood without stirring, thunderstruck. “My god in heaven!” he said, “Is it true that there is within the four seas of Britain a man who takes Notting Hill seriously?”… “And I suppose”, said the king, “that it never crossed your mind that anyone ever thought that the idea of a Notting Hill idealism was – er – slightly – slightly ridiculous… Don’t you really think the sacred Notting Hill at all absurd?” “Absurd?” asked Wayne blankly. “Why should I?”… “Notting Hill”, said the provost simply, “is a rise or high ground of the common earth, on which men have built houses to live in, in which they are born, fall in love, pray, marry and die. Why should I think it absurd?”… The king’s thoughts were in a kind of rout, he could not collect them. “It is generally felt to be a little funny”, he said vaguely.’

GK Chesterton ‘The Napoleon of Notting Hill’ 1904

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