Area photos


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(51.51563 -0.0932, 51.515 -0.093) 


LOCAL PHOTOS
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Bank station
Credit: IG/steven.maddison
TUM image id: 1653840363
Licence: CC BY 2.0
Amen Court, EC4M
TUM image id: 1493474208
Licence: CC BY 2.0

In the neighbourhood...

Click an image below for a better view...
Bank station
Credit: IG/steven.maddison
Licence: CC BY 2.0


"Cheapside and Bow Church" engraved by W. Albutt (1837) First published in The History of London: Illustrated by Views in London and Westminster. Steel engraved print after a picture by T.H. Shepherd.
Credit: W. Albutt
Licence: CC BY 2.0


Georg Giese from Danzig, 34-year-old German merchant at the Steelyard, painted in London by Hans Holbein in 1532
Credit: Hans Holbein
Licence:


Walbrook Wharf is an operating freight wharf located in the City of London adjacent to Cannon Street station.
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"London Bridge from the Old Swan" by the Irish painter Hubert Pugh (1780) Shooting the tidal rapids at old London Bridge was dangerous; many passengers preferred to get off at the Old Swan, and walk. Immediately across the river in the painting is St Saviour’s Church, now Southwark Cathedral.
Credit: Hubert Pugh (Bank of England Museum)
Licence:


Adelaide House from above
Credit: https://manchesterhistory.net/
Licence: CC BY 2.0


The shoemaker was a 1907 London comedy drama, a play "full of tears and laughter."
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View of Cloth Fair in 1884 showing the side entrance to St Bartholomew’s Priory, Smithfield.
Credit: John Crowther
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Florin Court, Charterhouse Square (2008) The building was used as Whitehaven Mansions, the fictional London residence of Agatha Christie’s character Hercule Poirot, in the LWT television series Agatha Christie’s Poirot (1989–2013)
Credit: Flickr/conrad1967/
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No 37 Cheapside on the corner of Friday Street (c.1880) The ’Society for Photographing Relics of Old London’ was formed when the Oxford Arms - a traditional galleried pub - was about to be pulled down as part of the new Old Bailey development in 1875. The society subsequently campaigned to record disappearing sights, hurriedly commissioning photographs to capture buildings for posterity. Between 1875 and 1886 they produced photographic records of further buildings under threat, which were issued with descriptive text by the painter (and founder of the Society) Alfred Marks. The focus was architectural, not social; the photographs deliberately exclude signs, notices, people and traffic, to concentrate on the appearance of the bricks and mortar. Few of the streets in their images remain. This section of Friday Street was demolished after the Second World War.
Credit: Society for Photographing Relics of Old London
Licence: